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M. PERKINS & SON LTD - a brief history Hidden deep amongst the manuscripts and papers of the London Record Office, The Post Office Guide of 1812 lists a Trimmings Maker, operating from 61 Curtain Road in Shoreditch, London. It is with this trimmings maker, one William Perkins, situated in the heart of what was the old Huguenot textile region, that the first written records of the family business M. Perkins & Son Ltd can be found. Records indicate that although William Perkins’ (b.1780) son inherited the business on his father’s death he somewhat neglected the firm, choosing instead to ply his trade as an undertaker. Thus on his tragic death in a railway accident in 1859 the firm was suffering serious financial difficulties. The tragedy left his widow Mary with a young family to support; nevertheless she decided that their economic survival lay in reviving the fortunes of the family business. The Census of 1861 records Mary as "…a widow, aged forty six, working as a fringe and tassel maker". Wm. Perkins (1844-1924)
The late 1890s are certainly regarded as the halcyon days of M Perkins & Son, particularly as a result of their association with one of the finest Victorian Gothic Revival architects/designers, Sir J Ninian Comper (1864-1960). As an architect Comper designed some fifteen churches, however the main focus of his work was in the design of interior furnishings and decoration in the Anglican and Catholic Church. In this role, Comper commissioned seven designs with M Perkins & Sons, of which the Lily and Minster Tapestries remain in production to date. In 2001 the St. Hubert design was also revived and reintroduced into the Perkins’ range. J.C. Crisp
With William Perkins’ (1885?-1947) retirement in 1943, the business was sold to F G Woolvett who was soon joined by his own son, W H C Woolvett. The company again relocated in 1950 to new premises in Surbiton, Surrey by which time fabric production had been transferred to the company’s recently acquired mill at Macclesfield, Cheshire. Within a few years there were three generations of the Woolvett family working together at M Perkins & Son. Fred Woolvett continued as the firm’s sales representative, until old age finally retired him to spells in the factory and cutting room. Wilfred concentrated on the administration and was then joined by his own son, John Woolvett who entered the firm shortly after leaving school in 1961. Surbiton Factory in the 1950s
With W H C Woolvett’s retirement in 1990, the management of the firm passed to his son, John Woolvett and Peter Doneux, who had joined M Perkins & Sons in 1980 from the church furnishing firm Louis Grossé Ltd. Though Perkins’ mainstay remains the supply of ecclesiastical textiles; with greater nation-wide emphasis on higher education since the 1990s, the company has been able to further develop its production of fabrics for ceremonial and academic wear. Oxford, Cambridge, London, Bristol, Exeter, Durham, Manchester, and Nottingham are just examples of some of the universities who wear Perkins’ fabrics during their graduation ceremonies. The company also continues to supply the film, television and theatrical world; with Perkins’ fabrics being successfully used in films such as The Last Emperor , Anne of The Thousand Days , Robin Hood, Prince Of Thieves, the Channel 4 documentary on The Six Wives Of Henry VIII and in performances at The Royal Opera House, The Sydney Opera House, The National Theatre, The Royal Shakespeare Theatre, Shakespeare’s Globe and Opera North. Winchester Brocade being woven in the 1960s
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